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Sawyer Seminar, “Disputation: Arguing In and Out of the University”

Theoretical Perspectives of the Seminar

Disputatio engraving circa 1500Comparative insights about disputation will develop along several axes in the Seminar: between and among historical periods (medieval, Renaissance, contemporary); languages and literatures (Greek, Hebrew, Arabic, Latin, English, French, German, Spanish, Italian); religions (Islam, Judaism, Christianity); cultures and ethnicities (Western European, Near Eastern, Native American); and gender and class. Because disputation evolved in the West over the course of more than two millennia as the forms of pre-modern culture constantly changed, multi-dimensional terms of comparison are indispensable for understanding the problem of disputation – leading naturally to a wide range of disciplinary and interdisciplinary responses. The many voices contributing to the discussion will be focused throughout the Seminar by questions asked from three selected theoretical perspectives: literary, sociological and philosophical.

Literary and linguistic questions that the Seminar will consider are:

  • How do the settings of fictional disputations (animal debates, private settings, social settings, elite classes, mixed classes, etc.) affect their procedures and impact?
  • How do fictional settings – or fictional debaters like birds and beasts – serve as safe(r) arenas for potentially dangerous topics in disputation?
  • How do gender, class, and ethnicity shape or affect literary disputes?
  • How do we encounter unequal participants in debate, for instance lord and clerk, or (in medieval Christendom) Christian and Jew?
  • Do literary disputes set up implicit or explicit limits of access, by such means as specialized language, or such gateways as class or education?
  • Can the traditional structure of dispute itself serve as a social or psychological censor?
  • How does disputation, external or interior, shape the development of literary character?
  • Reason vs. emotion in disputation. What are the competing uses of dialectic and rhetoric in literary disputation?

Sociological questions will include:

  • What social structures and norms of conduct operate in disputation?
  • What is the locus of disputation: public, private or in-between?
  • What access is there to disputation and what participation?
  • What methods disseminate the process and product of disputation?
  • How can the audience of disputation respond to it?
  • How can the audience remember, record, reproduce, quote and become persuaded by disputation?
  • Where do its contents and outcomes place disputation in typologies of power?
  • Where does professionalization situate disputation in a mediated public sphere?

And philosophical issues will include:

  • What theories of argument best illuminate disputation?
  • What does speech-act theory tell us about disputation?
  • Is disputation a form of performative utterance?
  • Is disputation governed by a logic of questioning?
  • How does disputation navigate the boundary between semantics and pragmatics?
  • Do game theory and games of partial cooperation apply to disputation?

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